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Sequence motif

If there's no edibles at the end of the line,
then the line is to be walked away straight ahead
no following the positrons
unless you seek for the golden annihilation
which smells of sin and guilt
and gold.


#8

Their arms, their shoulders
they are stiff
muscular containers of acid

the nails are growing back again
the hairs
evidence of some unidentified failure

their wigs are well-fitted though
heavy under the grime

they are a nation of malactivity

Their errors framed
by the minimizing fracture of sloth and hopelessness
their errors are nothing
in comparison and out of

the smell offensive as it was
the gleam
a dense afternoon sitting on an animal print couch with no pants on, sweating as usually

they are a nation of malactivity

or, what I like to name, creation
honoring the walls once covered in expensive scrolls
now hidden behind pieces and particles of oily cadmium dust

a pure selection of losses building over this drowsy foundation
the silent glance of Andromeda
gravitates and swirls to the hole

along with everything else and not.

The only posture that is protective
laying with the waist broken on an arm
unwashed, certainly in negligee

yet the night will bring its own warriors
exactly with the same frequency regardless of my body's position and location
we will still as always fight and win

and sweet mellow mornings will follow
exactly with the same constant condescension
that occurs between two.

---

That warm day the sun slid in through the blinds and the white flimsy curtains
I turned a little around under the covers and felt my head against the soft pillow
the floor was wooden like before and the walls were clean of marks again
can't recall, whether I had breakfast or not, I probably did have some kind of
next step by the shore, sun soothing the skin and the saltwater coming to my knees
untouched, unbreathed offing wind; my arms and hair and shirt are flying away
silken shivers to my waist, to my chest but wouldn't ever call it cold or shudder
my fingers float underwater aghast to how clasping feels of coying in this mass
sugar and butter now a shiny trace my blood hovers for a while and spreads
the chest succumbs and my weight is lost behind the veins of my eyelids.

---

The self


Visual solution
for the prominent disease

hands-on practice
along with the best ions

cold, pale and dead
sprawled on the hospitable bed

the window is slightly open
an allergen breeze comes in
around

true connections are the disappearing
and adoration? each on their own


"Good evening", he said, "Good evening", and leaned against the wall by the bus-stop, "Today I've been roaming around the city. My face has been cold in sweat shift in shift out. I changed routes and bought more tickets but I all day returned. See, it's night now and the stars are visible in this lousy city sky. I was born here, and I discern the stars even at cloudy middays. I came clean in the morning but all was dust and mud on the priest. I ran out, it was not the kindest of feelings. Them people were flowing away alive. Pain relief at its best was of no use anymore. Them people were chafing away alive. My weaknesses were walking along. Warm tables over which I once or twice or thrice wept. Then another and another. The sea has been fit recently. Delicate and vast, silent by the concrete.
They resent when the sea speaks. I never mouthed a word. I've been roaming around the city, a newborn flâneur that expires the next day. Next to the diner the smells were thick and vivid. My lips didn't move an inch today. See, it's a major debate on the graduality of phenomena but in fact the critical point stands exactly between each two states. From one day of belief and hope comes the next day of none. Always, I was persuaded about the absolute dedication that comes along with love. Love is prodded; it does not fulfill its definition.  Always starts from a point and returns? No. My wife died last night. Always starts from a point and cancels. The subject, though, us, returns. I've returned. And this state is the genuine reality and dedication; the self
delicate and vast, silent by the concrete."

Methylene blue

Sonorants make this soft noise
as they slip from you
cold hands, cold devices
a vast fear resides in every cell

are you reaching the fore right end
of the death row?

Velvet eyelids turned inside out
thick tears, full mouth
they fade in silence the rain still
from the window a bowed figure makes up for the past
sins

please hold this pale body
winter helps us maintain

o how wise I used to be
o how unloved
Methylene blues
tucked in a thousand clothes without you
down on, serotonin storms were hardly
affordable

please coy these purple eroding viscera
I will fade in silence, please.